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You Don’t Finish Anything, You Just Turn Away

Over at Granta, Sam Lipstye and Diane Cook chat about spontaneity, artistic permanence, and how time travel’s actually a bit of a burden:I would love to make minor adjustments to most of the sentences...

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A Story to See You Through

Etgar Keret and Sasha Kayua have had a pretty busy year: after speaking out against Israeli intolerance, and getting snubbed on every front, the pair turned to penning their viewpoints to each other....

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Steady Dissonance

Teju Cole’s got a penchant for prose that lingers; over at The New Inquiry, he delivers once again:When I have a nap or something, J.D. said, and I fall asleep (these words in English, all of a sudden,...

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Another Story to Guide You

Over at the New Yorker, Etgar Keret and Sayed Kashua continue their conversation:I believe that this despair is temporary, and that even though there are quite a few political elements that would...

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Little Traveler

In support of his new memoir, Little Failure, Gary Shteyngart’s been touring the country. Lucky for us, he’s keeping a journal:Philip Roth, in a 2000 interview with David Remnick in the pages of this...

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Apollo Revisited

Tom Hanks (yeah, that one), lands his short fiction debut over at the New Yorker:I’ve been around great storytellers all my life and, like an enthusiastic student, I want to tell some of my own. And I...

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Leaving Lebanon

Lebanese author Rabih Alameddine gets the profile treatment at NYRB:Many of the funniest moments in Alameddine’s work—and he is essentially a comic writer—revolve around the difficulties of trying to...

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City Resolution

Author Chris Colin finally brought his daughter to New York, after years and years away, and it may as well have been a new city:I began seeing grand indifference everywhere. The immigrant struggles...

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Hasta la Madre

At the New Yorker, Francisco Goldman tackles the malaise shadowing his favorite city in the world:Mexico City feels different these days. Its usual vibrancy has been muted, and not only because of the...

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Duly Sympathetic

Over at BOMB, Claudia Rankine takes a look at the way we use our words:Tone is an everyday kind of maneuver. It disrupts and communicates aggression, disgust, dis- respect, and humor, among a myriad of...

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What We Eventually Remember

Over at PEN, Emily St. John Mandel chats about forming an identity:I’d been a dancer all my life but didn’t really want to dance anymore. I spent a great deal of time scheming desperately to get back...

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Loose Notes

Gil-Scott Heron was a man of many fragments, and Marcus Baram is intent on unearthing all of them:Gil did marathon writing sessions, staying up for days, taking a break every once in a while to play...

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A Proper Fake

Wells Towers gives GQ yet another essay. His subject this time? The most prolific counterfeiter in American history, Frank Bourassa:Frank’s self-image may be described as not merely healthy but...

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Standing Ovation

Over at the New Yorker, Kelefa Sanneh gives Chris Rock the profile treatment. Sanneh touches on the business of comedy, dueling aesthetics, and the trouble with staying relevant in an age of...

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A Losing Game

I imagined if I had been writing in the 1950s and 1960s, I, too, may have been writing for the pulps. I got the sense that [Jim] saw me as a kindred spirit, that I reminded him of himself as a...

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From a Distance

Over at The Believer, Zack Rogow and Renee Morel have unearthed French novelist Colette’s advice column for the forlorn:You who love “madly,” have you decided, accepted, that one day love will...

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Native Transplant

Rumpus contributor J. Ryan Stradal edited the recently published California Prose Directory: New Writing from the Gold State, Number 2. The anthology’s goal? To find the best new practitioners of...

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The Lower Forty-Eight

Dave Eggers has a new story up at the New Yorker:There is proud happiness, happiness born of doing admirable things in the light of day, years of good work, and afterward being tired and content and...

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What Was Left

Down at Grantland, Brian Phillips gives us an elegy in search of sumo, closure, and the lasting ennui of Yukio Mishima:It’s a dream city, Tokyo. I mean that literally, in that I often felt like I was...

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Blind Lie

Over at The New Republic, Hanna Rosin pens a piece on her buddy, Stephen Glass—former Republic colleague, one-time prodigy, and probably the most lucrative fabricator in recent journalistic history:I...

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